In a heartwarming gesture of philanthropy, Ace-Liam Sam Ankrah, Ghana’s youngest Guinness World Record holder for male artists, celebrated his second birthday by giving back to his community.

Ace-Liam visited the Teshie Children’s Home in Accra, where he donated essential food items and engaged in a joyful painting activity with the children.

Obed Mensah, a board member at Teshie Children’s Home, expressed gratitude on behalf of the organization, emphasizing the significance of Ace-Liam’s contribution over the years.

“Since our establishment 29 years ago, donations like these have been crucial in supporting our mission,” Mensah remarked, acknowledging Ace-Liam, his mother Kukua Chantelle, and their manager Pamela Korsah for their generosity.

Moses Lamptey, the caretaker at Teshie Children’s Home, highlighted the positive impact of the painting activity organized by Ace-Liam. “The children were truly refreshed by the experience,” Lamptey said, underscoring the importance of such moments in the lives of the young residents.

Kukua Chantelle, Ace-Liam’s mother, shared insights into the broader vision behind their charitable efforts.

She revealed that the Ace-Liam Outreach Initiative, a newly established charity organization, aims to nurture children’s talents and support vulnerable individuals across society.

“This initiative is a testament to Ace-Liam’s commitment to making a difference,” she affirmed.

Ace-Liam’s visit not only brought smiles to the faces of children at the Teshie Children’s Home but also highlighted the potential of youth-driven philanthropy to create meaningful change in communities.

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Ghanaian actor Prince David Osei took to social media to share his thoughts on the role of celebrities in politics.

A known supporter of the ruling New Patriotic Party (NPP), Osei emphasized the importance of active participation in decision-making processes, regardless of one’s status.

“As a celebrity, I have a unique perspective on politics. My intention is to serve, even if it comes at a personal cost. I am driven by my determination to make a difference, no matter the price,” Osei wrote.

In a post on social media he shared that, “My motivation stems from this unwavering commitment. While I cannot speak for other celebrities, I strongly believe that each of us should actively participate in the decision-making process.

Regardless of our status, our voices hold weight, and our followers, who often seek guidance from us, share this mindset.”

Osei stressed the necessity for celebrities to contribute to discussions shaping society. “It is essential for all of us to contribute to discussions that shape the world we live in. Let’s embrace our responsibility and influence for the betterment of society,” he added.

He also called for respectful discourse, noting, “Insults won’t bring the change we seek! Let’s engage in respectful discussions, respecting everyone’s opinion and expressing ours without malice.”

The actor’s statement has sparked conversations about the influence of celebrities in political spheres and the responsibilities that come with their public platforms.

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The dynamic duo, known for their impressive coordination and energetic moves, left the audience in awe with their performances.

Afronita and Dancegod Lloyd took to the stage on July 4, 2024, dressed in matching outfits, and delivered two electrifying performances.

They danced to an Amapiano mix and Nigerian musician Mr Eazi’s hit song “Akwaaba”, featuring Ghanaian artists GuiltyBeatz, Patapaa, and Pappy Kojo. The crowd was mesmerized by their energy and skill, giving them a standing ovation amidst cheers and applause.

This performance marks a significant milestone in Afronita’s career, following her recent rise to fame. Her talent and dedication have opened doors to new opportunities, including this international performance. Dancegod Lloyd, known for his mentorship and guidance, has played a significant role in Afronita’s growth as a dancer.

Other Ghanaian dancers, including Allo Danny and Afronita’s close friend, also graced the festival, showcasing the country’s rich talent in dance. Afronita and Dancegod Lloyd’s performance has further solidified Ghana’s reputation as a hub for exceptional dancers, and their international debut is sure to pave the way for more opportunities on the global stage.

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After a string of successful collaborations, King Paluta returns with “Makoma”, a masterpiece that showcases his lyrical prowess and vocal dexterity. The song’s catchy beat and infectious hook have fans singing along and dancing to the rhythm.

“Makoma” is a testament to King Paluta’s dedication to his craft and his passion for creating high-quality music. His hard work and talent have paid off, earning him a loyal fan base and critical acclaim.

The music industry is taking notice of King Paluta’s unstoppable rise. His previous hits, “Aseda” and “More Money” featuring Sista Afia, have set the bar high, and “Makoma” exceeds expectations.

With “Makoma”, King Paluta is solidifying his position as a leader in the new generation of Ghanaian musicians. His unique sound and style are inspiring a new wave of artists, and his success is paving the way for others to follow.

As “Makoma” continues to make waves in the music industry, King Paluta is already working on his next project, promising to deliver even more exciting music to his fans. With his talent, dedication, and unstoppable energy, King Paluta is destined for greatness.

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Kwabena Kwabena, a renowned Ghanaian highlife musician, has reaffirmed his passion for music, declaring that he will continue to create music until his last breath.

In an interview in Accra, Kwabena Kwabena shared that music has always been his dream and desire, and he cannot imagine stopping even as he grows older.

With a career spanning nineteen years, Kwabena Kwabena attributes his consistency and relevance to his unique style and passion for music. Although he is involved in other endeavors, music remains his first love, and he finds inspiration in the ambiance around him to create songs.

The award-winning musician has announced an upcoming gospel track, set for release on July 5, which is part of a five-track all-gospel album titled ‘God of Restoration’ scheduled for release in August. Kwabena Kwabena’s dedication to his craft and his love for music are a testament to his enduring legacy in the Ghanaian music industry.

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Ghanaian highlife musician Arathejay has released his new album, “Finding Nimo: The Capsule,” emphasizing his identity as a spiritual artiste.

In a recent interview on TV3, the “Sankofa” hitmaker shared his thoughts on his musical journey and inspiration.

When asked if he considers himself a highlife or afrobeat artiste, Arathejay confidently responded, “I am a spiritual artiste.”

He explained that his music is deeply inspired by the Ghanaian highlife genre and urged fellow artistes to honour and elevate highlife music.

“I believe aside from knowing that I’m doing it for a purpose, it is much appreciated by everyone when it’s purposeful. My inspiration comes from highlife. I believe highlife is our genre, and we have to uphold it,” he stated.

Arathejay also discussed the success of his hit song “Sankofa,” which features a remix by King Promise. “My biggest song was ‘Sankofa.’ By God’s grace, King Promise did a remix, and it made it to the Afrobeats chart in the UK,” he recounted.

Currently, Arathejay is promoting “Finding Nimo: The Capsule,” the first chapter in his “Finding Nimo” series.

The album features top-notch production from DJ Breezy, Signal (Nigeria), RankingMadeIt, JoeyOntheTrack, Nvrhcos, Afrolektra, and BillyDray. The mixing and mastering were expertly handled by RankingMadeIt and 7th Romahn.

The album includes nine tracks:

1. INSIDE
2. PRAISE
3. ΟΝΟΑ
4. NO GENTILITY
5. ATINGA
6. WANT TO MARRY FT AEMA & BABONAH
7. CO-SIGN
8. ROSALINDA
9. C’EST LA VIE

“Finding Nimo: The Capsule” is now available on all streaming platforms, showcasing Arathejay’s spiritual approach to music and his commitment to highlife.

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Celebrated Ghanaian disc jockey DJ Mensah has announced that renowned rapper Sarkodie will be performing at the opening ceremony of the 2024 Olympic Games in Paris, France. This historic event is set to take place on July 26, 2024.

During an exclusive interview on Asaase radio, DJ Mensah, who is also Sarkodie’s personal DJ, shared the exciting news with listeners. “With Sarkodie and me, we have a few upcoming shows. We haven’t officially announced it yet, but we’re scheduled to perform at the Olympics opening in August, along with another event in the US,” he revealed, hinting at a busy and thrilling year ahead.

This announcement has already sparked widespread excitement among fans and music enthusiasts alike. Sarkodie, known for his groundbreaking contributions to the African music scene, has consistently pushed boundaries with his dynamic performances and chart-topping hits. His appearance at the Olympic Games promises to be a memorable highlight of the event, showcasing Ghanaian talent on an international platform.

The 2024 Olympics in Paris is anticipated to be a celebration of diversity and excellence, and Sarkodie’s participation underscores the global recognition of African music and culture. This opportunity not only elevates Sarkodie’s career to new heights but also inspires countless aspiring artists from the continent, proving that dreams can indeed become reality.

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South African singer Tyla was awarded Best New Artiste at the BET Awards 2024, dubbed as “culture’s biggest night.”

Known for her catchy pop tunes and energetic performances, Tyla stood out at this year’s event.

Her debut single, “Water,” became a huge hit, highlighting her unique mix of pop, R&B, and Afrobeat.

In her acceptance speech, Tyla thanked her fans, family, and the BET community.

She said, “Oh my gosh, this is crazy, and this is also very heavy. First of all, I love Sexyy Red. I love her so much. This is such a gift to be here. I want to dedicate this to Africa and all the African superstars before me who didn’t get these opportunities. This is amazing. Africa to the world, guys.”

Tyla also delivered a stunning performance of her song “Jump,” featuring US rapper Gunna and Jamaican dancehall DJ Skillibeng.

Her act included dancers in tiger print bodysuits, a nod to her fanbase, the Tygers, as well as a giant elephant statue and performers on stilts.

The BET Awards, established in 2001 by Black Entertainment Television, honor black and underrepresented people in entertainment.

This year’s ceremony took place at the Peacock Theatre in California.

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The accident happened at Amakom near the Kumasi Technical University (KsTU) and led to the death of a 3-year-old boy.

The 3-year-old boy, Nana Yaw, was in a vehicle with his father when they were hit by Lil Win’s car.

Some eyewitnesses said Lil Win was speeding in the congested area of Amakom.

Following the crash, Nana Yaw and his father were rushed to a nearby health facility and later transferred to the Komfo Anokye Teaching Hospital.

The 3-year old Nana Yaw died later.

Arrest and charge

Lil Win was arrested on 10 days later on June 3, by officers from the Motor Traffic and Transport Department (MTTD) of the Manhyia Divisional Police Command shortly after being discharged from hospital.

His arrest was after an intensified call from the family of the deceased for justice.

The police had earlier cited Lil Win’s ill health as the reason for the delay in causing his arrest.

When he was arraigned at the Asokore Mampong District Court, he was granted bail in the sum of GH¢50,000 with two sureties. 

He has been charged with dangerous driving and negligently causing harm. 

The court case is still pending but a month after the incident, Lil Win is singing about the accident and says it is good to always rejoice in the lord, pray continually and give thanks in all circumstances.

He expressed appreciation to his spiritual mentor Pastor Stephen Adom Kyei-Duah of Believers Worship Centre [Philadelphia Nyame] and states that God’s will is the best.

He sings about being undaunted if it was the wish of his enemies that he perish and wondered why many were on his case while he gives thanks to God for his life. 

He expressed appreciation to King Paluta and Kweku Flick as well as his spiritual mentor – “Adom Nyame” and “Philadelphia Nyame,” whom he said was very protective of his life.

SOURCE: GRAPHICONLINE

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While he has played at the UK’s biggest festival before, this is his first time on the famous main stage, which has been Glastonbury’s focal point for decades.

Fellow Afrobeats star Ayra Starr also performed on the Pyramid Stage on Saturday, while Tems had a slot on the Other Stage.

From West Africa to the world stage, Afrobeats has risen rapidly to dominate playlists and radio.

On Spotify, the Afrobeats genre has grown by 1,200% since 2017.

But with its artists now performing at the very top of the UK’s biggest festival, it feels like another threshold has been crossed.

It’s our time,” Starr told BBC News “It’s been a long time coming and we deserve this.”

West African origins

So what is Afrobeats all about, and how has it taken off?

The genre has its roots in Nigeria and Ghana, and started rising rapidly in popularity in the 2010s, with early hits from artists like Fuse ODG and D’banj.

It is not to be confused with “Afrobeat” – minus the “s”. That is a movement created in the 1960s and 1970s by the artist and activist Fela Kuti.

Kuti’s musical style is a fusion of traditional African rhythms with funk, jazz and highlife.

Coincidentally, Kuti himself played at Glastonbury in 1984, and this year, his son Femi Kuti played on the Pyramid Stage.

But Afrobeats, with an “s”, is a completely different sound. It is generally seen as a fusion of traditional West African musical styles with Western pop, rap and dancehall.

“Afrobeat spoke to a much older audience,” said DJ Edu, who hosts BBC 1Xtra’s AfroSounds show.

“Afrobeats has been driven a lot by social media,” he said, adding that young people, travelling to different parts of the world, also helped spread the sound.

There were challenges, of course. DJ Edu said that a lot of people who started out making Afrobeats were not clued up about the music industry.

“They were just kids making music from their bedrooms, not worrying about streaming or royalties. That was the big problem, there was no structure,” he said.

But as bigger artists started making headway, younger ones were able to learn from them and chart their own route in the industry, he added.

DJs in the UK started fusing pop music with Nigerian and Ghanaian beats, taking the sounds to new audiences.

Songs from the genre regularly started crossing into the mainstream, with its first big global success being the release of Oliver Twist by the artist D’banj in 2012.

The song made the top 10 on the official UK Singles Chart and was number two in the UK R&B Charts.

It is often described as the first time Afrobeats really took hold in the UK.

Rise in popularity

From then on, Afrobeats quickly spread around the world. It has often been described as one of Africa’s biggest cultural exports.

“We’ve been waiting for the globalisation of Afrobeats, and it’s happening now,” Starr said, speaking ahead of her Glastonbury performance.

“But it’s not just what you’re seeing today. It’s years and generations of musicians and hard work that’s made it what it is now.”

TikTok and YouTube – where many people discover new music – have played a big part in taking Afrobeats to new audiences in the UK, the US and beyond.

One example is Nigerian artist CKay’s Love Nwantiti, which went viral on the app and became the most Shazam-ed song in the world in 2021.

Songs by singers Davido, Burna Boy and Wizkid have also gained popularity through their TikTok dance routines.

Collaborations with the likes of Beyoncé, Drake and Justin Bieber have also helped lift the Afrobeats scene to new heights.

For example, Drake featured Wizkid on 2016’s One Dance – which helped put a spotlight on the singer and the genre he represents.

In the summer of 2023, Burna Boy made history when he became the first African artist to headline a stadium show in the UK in front of a sold-out crowd of 60,000 at the London Stadium.

“The genre’s rise has been nothing short of meteoric,” Sheniece Charway, YouTube’s artists’ relations manager for black music and culture, told BBC News.

“Afrobeats has ignited a global revolution, and it’s captivating trajectory shows no sign of slowing.”

“Popular music is pop music and Afrobeats has become popular music globally,” she added.

“We are seeing the likes of Wizkid, Libianca and Burna Boy all having global success, which shows that their audience is everywhere.”

In a sign of the genre’s huge global popularity, it has been included as a category in a number of major awards.

Billboard in the US recently added an Afrobeats category, with Burna Boy and fellow Nigerian star Rema both recognised at the event in November.

Burna Boy, who has also been the recipient of a Grammy, dedicated his award “to Africa and every artist coming out of Africa now”.

Meanwhile Rema won a gong for his near-ubiquitous song Calm Down, which has smashed multiple streaming and chart records.

The track, which featured Selena Gomez, became the first African artist-led track to hit a billion streams on Spotify.

Accepting the Billboard award for best Afrobeats song, Rema thanked his fans and called the prize “a celebration of unity and the global domination of Afrobeats”.

The MTV VMAs, Grammys and American Music Awards have also recently added the category of best Afrobeats.

DJ Edu says this recognition has meant a lot to Afrobeats artists.

“[It] shows there’s a light at the end of the tunnel for this music,” he said.

People are ‘infatuated’

For Starr, part of the reason for Afrobeats’ huge growth is the fact the sound is overwhelmingly positive.

“Afrobeats is enjoyment. You have to enjoy yourself, you have to be at a club or at a party to make the music that people want to dance to. And we like to dance,” she said.

“I feel like that’s why it’s our time. I think God has made it like that – because we make positive music, we make high vibrational music.”

Meanwhile in the UK, British artists have been developing their own style and sound, such as Afroswing, which merges Afrobeats with dancehall, grime, rap and R&B.

Grammy award winning producer Jae5, based in the UK, has produced mega-hits for Burna Boy and Dave.

“The main influence that I’m infusing things with is the African culture,” he told BBC News.

“I’ll make a hip hop song and it will still have a lot of percussive elements. I might make a ballad and I’ll have more percussive elements than a normal track. So the African sound is what is continuous in my music. The groove of Africa is very different to the groove over here.”

Having swept the globe and landed at Glastonbury, what’s next for Afrobeats?

Jae5 can see it going from strength to strength, as people are “infatuated” by the sound.

“The world is huge and Afrobeats has so much space to grow,” he said. “And the fact that [fans] are receiving it in the way they are is amazing.”

SOURCE: BBC NEWS

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